Archive for the ‘OSNB’ Category
Thanks to one of my NARWA sisters, I found another contest to enter … a chance to win a pitch with a Harlequin American editor. Since I’ve long envisioned “Operation Snag Mike Brad” as an American Romance, I decided to go for it.
I can’t say I always envisioned it in that line. When I first wrote it, I had the Love and Laughter or Silhouette Yours Truly lines in mind. But since those are both defunct (sadly, if you ask me), I switched to AR.
The entry requires a one-page synopsis — something I’m getting better at writing, I think — and a logline.
Having never heard of a logline before, I did a little poking around at eharlequin.com. Apparently it’s also known as a “concept line” and is designed to give the editor a broad picture of your story.
One way to write one is to start with a well-known storyline, then reveal the twist that makes your story stand out. You can also use a familiar book or movie as your starting point, so you come up with something like “Elle Woods meets the Terminator” or “Beauty & the Beast set in outer space.”
The advice is straightforward enough, but I’m finding myself confused. Maybe it’s just because my MS is a big, confused mess.
I hope not.
Anyway, here’s the logline I’ve come up with so far:
“Operation Snag Mike Brad” blends “How to Lose a Guy in Ten Days” and “Some Kind of Wonderful” — but in reverse.
In “How to Lose a Guy in Ten Days” you have a reporter working on a story and using outrageous advice to get dumped. (Erin is a reporter following a book’s outrageous advice to snag “the man of her dreams” while she’s chasing a big story that’ll get her out of small-town Indiana once and for all.)
In “Some Kind of Wonderful,” you have a guy who thinks he’s in love with one girl but ends up realizing he’s in love with his best friend. (Erin thinks she’s in love with Mike but ends up realizing he’s more like her best friend and she’s really in love with with Brad instead.)
So both flicks apply — at least loosely. The “reverse” part is the whole using the book to snag the guy (not lose him) and the fact that it’s the girl, not the guy doing the falling.
I’m still not wild about it. At least I have a few more days to play.
Sadly, not much writing has happened since Wednesday (and that writing didn’t count toward my Word Count Countdown, because it wasn’t actually writing on any of my WIPs).
I’m at a certain point: Finished MS but no query or synopsis — and since our NARWA meeting next Saturday is on the dreaded synopsis, I’m kind of trying to hold out before working on one of those.
The query and synopsis on “Blind Date Bride” are mostly finished, but I’m still a little scared to send that one out there. I did get a rave review from one of my NARWA sisters, who described it as “delicious.”
With a review like that, why am I not sure? It’s probably plain old fear of rejection — again. I’ve already gotten tons of rejections on Brad & Erin’s story, so why would I expect this one to do better?
Well, it was written much later. Brad & Erin’s MS was my first, and even though I’ve edited it so much that parts hardly resemble the original draft, it could be that it’s just not good enough. Pat said she can tell a huge difference between that one and “Blind Date Bride,” that my writing has grown and changed.
So maybe it’s time to bite the bullet, finish the query/synopsis and send it out there. It’ll immediately expand my agent pool, since this one’s a single title instead of category.
In an effort to get over the disappointment of not finaling in the Golden Heart, I’ve been a busy, busy writer. 😀
No giving up for me, no sir.
I spent the weekend working on a synopsis for “Blind Date Bride” and reworking the ending on my losing GH entry. (I’m getting rid of their silly argument for a meatier one. There’s probably still not enough conflict, but I think it’s getting closer.)
I also discovered I may be eligible for PRO status with RWA. I’m going to look into that.
What to do, what to do?
I’m at a bit of a loss again. After writing more than 1,000 words on Meg and Matt’s story yesterday, I’ve hit a block. If I take a page of advice from the “write quickly and often” book, I’ll sit down and make myself write something — anything.
But maybe I should continue working on my new synopsis for “Operation Snag Mike Brad” — the one that puts more emphasis on the conflict (you know, the one that may or may not actually exist in the story. I’m trying. It really does have more conflict than it used to.)
I’m not sure it’s worth sending out more queries on that one until I resolve the conflict issue.
Or perhaps I should do something else altogether. “Blind Date Bride” needs a query letter and synopsis. I’m thinking about taking an online synopsis-writing class that starts in March, though … so maybe I should wait on that.
This is the story of my life these days: I seem to have a short attention span. I can’t settle down to any one project. Yet I need to keep making progress on my Word Count Club goal. I don’t want to be the one to fail.
I also need an editor’s note for the next NARWA newsletter. I’m thinking my topic will be … drumroll, please … rejection. I’ve certainly handled enough of it lately to consider myself an expert! 😉